Q: Do you ever look back into your e-mails to see what was on your mind a year ago?
A: In my case, I tend to look at old blog posts (below is "LoT + BSS = WOW" originally posted October 12, 2008 on MySpace's now defunct View de TQ blog)
I spent more than a half hour attempting to find an appropriate video to describe the Broken Social Scene concert I attended last Thursday.
Thanks to the blog "Pop Tarts Suck Toasted", I think I found it.
That's where I found the below clip from just over a month ago. It shows Broken Social Scene performing "Shoreline" (which is, if you subscribe to the "YouTube as your popularity indicator" theory, would be their number one song). Key to this video taken at a NYU concert is that it features Elizabeth Powell.
This is "Lizzy" Powell, the front person and main creative force behind Land of Talk:
Land of Talk was the opening act for Broken Social Scene. And in the true collaborate effort that BSS is, Lizzy stepped in happily for any song needing a female vocal. This, if you don't know, was the path first blazed in BSS folklore by Leslie Feist (You've probably heard of her).
Land of Talk, although they didn't play the song I heard on NPR's All Songs Considered, had a powerful set... considering...
Considering that whoever was in charge of the sound quality the night of Thursday October 9 at the Vic Theatre in Chicago was incompetent. Honestly, I've never heard such a mismangled sound at a professional concert. Maybe I should give those boys some slack, because mixing an 8-11 member band must present unique challenges.
Back to Land of Talk:
Lizzie was hot.
She was powerful.
I just bought her debut album off iTunes.
Add another name to my growing list of "Mountie Rock" acts I'm following.
But LoT wasn't alone on using the BSS bandwagon to gain the attention of yours truly.
I've heard a few songs before from Apostle of Hustle, which I liked.
Julian Brown, of AoH, was performing with BSS last Thursday.
Just one more example of the interconnected harmony of the Canadian Independent Rock Scene... Here's a picture of Mr. Brown:
I haven't bought any AoH music yet, but I'm sure I won't be able to make that statement much longer.
As for the actual main event: the set by Broken Social Scene...
In any other year that didn't include a free ticket to Radiohead, that concert would have been the musical highlight of the year - and in the running for moment of the decade.
They played the songs I wanted to hear, but I got to experience the joy of BSS. To see 8 to 11 Canadians playing multiple instruments and truly conveying at atmosphere of fun playing.
There was also a sentiment expressed by Kevin Drew (one of the two "founding" members of BSS) that was echoed two weeks earlier from fellow Mountie Rockers Stars. Drew mentioned that he understood that economic times are rough, and that he appreciates everybody spending their money to see them live (and to fund his life, to be lived the way he wants to live it).
The show ended at 10:30 pm, per the neighborhood's noise ordinance mandates. They didn't waste any time, cramming as much music as they could muster. In a move I've never seen before, but dreamed of seeing, a band played their "last" song - then continued right into their "encore." This band doesn't want to pull the charade of ending a set and walking off the stage, in a gratuitous ploy for more applause. They just kept on playing. Because that's what we all wanted, and I get the sense that's what they wanted too...
It's safe to say that I will be purchasing two tickets the day the next BSS show goes on sale - then spending whatever time window I have leading up to the concert to convince someone else that it's worth the voyage. (Special shout out to Jeff, who was the unsuspecting party that I dragged to this show - but I think he appreciated it almost as much as I... Even if my dance grooves were probably embarrassing)
And now, for your viewing pleasure - Here's Broken Social Scene featuring Lizzy Powell performing "Shoreline"